| The culture of India was moulded throughout various eras of history, all the while absorbing customs, traditions and ideas from both invaders and immigrants. Many cultural practices, languages, customs and monuments are examples of this co-mingling over centuries. In modern India, there is remarkable cultural and religious diversity throughout the country. This has been influenced by the various regions of India, namely South, North, and North-East, have their own distinct identities and almost every state has carved out its own cultural niche. In spite of this unique cultural diversity, the whole country is bound as a civilization due to its common history, thereby preserving the national identity. The Indian culture has been considerably influenced by the flow of ideas from Persian, Arabic, Turkish,European and other Asian cultures. The various religions and the multihued traditions of India have influenced South East Asia(and to a minimal extent, East Asia}. India was the birth place of religious systems such as Hinduism, Sikhism, Buddhism and Jainism, which have a strong influence not only over India, but also the whole world. Buddhism is one of the most peaceful religions today. |  |
| Literature | |
| History | |
| The earliest literary traditions were mostly oral and passed through descendants by the citizens. They were later transcribed. Most of these spring from Hindu tradition and are represented by sacred works like the Vedas, the epics of the Mahabharata and Ramayana. Tamil Sangam literature represents some of India's oldest secular traditions. Many Buddhist and Jain works are in Prakrit languages like Pali. The classical works of playwright Kalidasa even today exert an important influence on Indian litterateurs. Upon the arrival of Mughal dynasty, Islamic culture dominated most of medieval Indian literature. This was due to the spreading influence of Persian and the rise of famous poets such as Amir Khusro. Colonial rule prepared the stage for modern literature exemplified by the works of Rabindranath Tagore, Bankim Chandra Chattopadhyay, Michael Madhusudan Dutt, Munshi Premchand, Devaki Nandan Khatri, among many others. Indian writers in modern times, like R. K. Narayan, Vaikom Muhammad Basheer, Arundhati Roy, Vikram Seth, Khushwant Singh, Salman Rushdie have been the cynosures of wide acclaim, both in Indian languages and English. |  |
| Poetry | |
| India has strong traditions of poetry, as well as prose writing. This is often closely related to musical traditions, and most poetry can be attributed to religious movements. Writers and philosophers were often also skilled poets. In modern times, poetry served as an important non-violent tool of nationalism during the Indian freedom movement. A famous modern example of this tradition can be found in such figures as Rabindranath Tagore in modern times and poets such as Kabir in medieval times, as well as the epics of ancient times. Two examples of poetry from Tagore's Gitanjali serve as the national anthems of both India and Bangladesh. |  |
| Indian epics | |
| The Ramayana and Mahabharata are not only considered epics of India and Hinduism, but serve as the folk epics of other Asian countries like Thailand, Malaysia and Indonesia. In this respect, they are considered by many to be the 'eastern' equivalents of the classical epics of Europe, namely Iliad and Odyssey. Other regional variations of these stories, and unrelated epics include such as the Tamil Silappadhikaram, Kamba Ramayana , Manimegalai and Jeevaga-chintamani, Hindi Ramacharitamanasa,Malayalam Adhyathmaramayanam. |  |
| Performing arts | |
| Music |    |
| The music of India includes multiples varieties of folk, popular, pop, and classical music. India's classical music tradition, including Carnatic and Hindustani music, noted for the use of several Raga, has a history spanning millennia and, developed over several eras, remains instrumental to the religious inspiration, cultural expression and pure entertainment. Alongside distinctly subcontinental forms there are major influences from Persian, Arab, and British music. Indian genres like filmi and bhangra have become popular throughout the United Kingdom, South and East Asia, and around the world. | |
| Dance | |
| India offers a number of Classical Indian dance forms, each of which can be traced to different parts of the country. Each form represents the culture and ethos of a particular region or a group of people. The eight main styles are Bharatanatyam, Kathak, Odissi, Kuchipudi, Mohiniattam, Bhangra, Manipuri and Kathakali. Besides, there are several forms of Indian folk dances, and special dances observed in regional festivals. | |
| Drama and theatre | |
| Indian drama and theatre is perhaps as old as its music and dance. Kalidas' plays like Shakuntala and Meghadoot are some of the oldest plays from literary traditions. The tradition of folk theatre is alive in nearly all the linguistic regions of the country. [citation needed] In addition, there is a rich tradition of puppet theatre in rural India. Group Theatre is also thriving in the cities, initiated by the likes of Utpal Dutt, Khwaja Ahmad Abbas and still maintained by groups like Nandikar and Prithvi Theatre. | |
| Visual arts | |
| Painting |      |
| The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka, and some of them are older than 5500 BC. Ancient texts outline theories of darragh and anecdotal accounts suggesting that it was common for households to paint their doorways or indoor rooms where guests resided. Cave paintings from Ajanta, Bagh, Ellora and Sittanavasal and temple paintings testify to a love of naturalism and God. Most rock art in India is Hindu or Buddhist. A freshly made coloured flour design (Rangoli) everyday is still a common sight outside the doorstep of many (mostly South Indian) Indian homes. Madhubani painting, Rajput painting, Tanjore painting, Mughal painting are some notable Genres of Indian Art; while Raja Ravi Varma, Nandalal Bose, Jamini Roy are some modern painters. Jehangir Art Gallery, Mumbai, has on display several good Indian paintings. | |
| Sculpture | |
| The first sculptures in India date back to the Indus Valley civilization, where stone and bronze carvings have been discovered. This is one of the earliest instances of sculpture in the world. Later, as Hinduism, Buddhism and Jainism developed further, India produced some of the most intricate bronzes in the world, as well as unrivalled temple carvings. Some huge shrines, such as the one at Ellora were not actually constructed using blocks, but instead carved out of solid rock, making them perhaps the largest and most intricate sculptures in the world. The pink sandstone sculptures of Mathura evolved during the Gupta period (4th to 6th century) to reach a very high fineness of execution and delicacy in the modelling. Newer sculptures in northwest, in stucco, schist or clay, display very strong blending of Indian post-Gupta mannerism and Classical influence, Hellenistic or possibly even Greco-Roman. Meanwhile, elsewhere in India, less anatomically accurate styles of human representation evolved leading to the classical art that the world is now familiar with and contributing to Buddhist and Hindu sculpture throughout Asia. | |
| Architecture | |
| Indian architecture is that vast tapestry of production of the Indian Subcontinent that encompasses a multitude of expressions over space and time, transformed by the forces of history considered unique to the sub-continent, sometimes destroying, but most of the time absorbing new ideas. The result is an evolving range of architectural production that none the less retains a certain amount of continuity across history. The earliest production in the Indus Valley Civilization was characterised by well planned cities and houses where religion did not seem to play an active role, but which demonstrated world-famous city planning. During the reign of the Gupta and Maurya empires, several Buddhist architectural examples like caves of Ajanta and Ellora and the monumental Sanchi Stupa were built. South India contains several Hindu temples like Brihadeeswara Temple, Thanjavur, the Sun Temple, Konark, Sri Ranganathaswamy Temple at Srirangam, and the Buddha stupa (Chinna Lanja dibba and Vikramarka kota dibba) at Bhattiprolu. Angkor Wat and other Buddhist and Hindu temples carry the evidence of Indian influence on South East Asian architecture, as they are built in styles almost identical to traditional Indian temple building. With the advent of Islamic influence from the west, the erstwhile Indian architecture was slightly adapted to allow the traditions of the new religion. Fatehpur Sikri, Taj Mahal, Gol Gumbaz, Qutub Minar, Red Fort of Delhi are the creations of this era, and are often used as the stereotypical symbols of India, despite the greater antiquity and originality of traditional architecture. The colonial rule of the British Indian Empire saw the development of Indo-Saracenic style, and mixing of several other styles, such as European gothic. Victoria Memorial, Victoria Terminus are notable examples. Recent creations such as Lotus Temple, and the various modern urban developments of India, are also notable. The traditional system of Vaastu Shastra serves as India's version of Feng Shui, influencing town planning, architecture, and ergonomics. It is unclear which system is older, but they contain many similarities. Though Vastu is conceptually similar to Feng Shui in that it also tries to harmonize the flow of energy, (also called life-force or Prana in Sanskrit and Chi/Ki in Chinese/Japanese), through the house, it differs in the details, such as the exact directions in which various objects, rooms, materials etc are to be placed. Indian architecture has influence the world, especially eastern Asia, due to the spread of ideas with Buddhism. A number of Indian architectural features such as the temple mound or stupa, temple spire or sikhara, temple tower or pagoda and temple gate or torana, have become famous symbols of Asian culture, used extensively in East Asia and South East Asia. The central spire is also sometimes called a vimanam. The variant southern temple gate, or gopuram is noted for its intricacy and majesty. The arch, a cornerstone of world architecture, was first developed by the Indus Valley civilization and would later be a staple of Indian architecture. | |
| Recreation and sports | |
In the area of recreation and sports India had evolved a number of games. The modern eastern martial arts originated as ancient games and martial arts in India and it was from here that these games were transmitted to foreign countries, where they were further modernized. Additionally, a few games introduced during the British Raj have grown quite popular in India, field hockey, football (soccer) and especially cricket. Although field hockey is India's official national sport, cricket is by far the most popular sport not only in India, but the entire subcontinent, thriving recreationally and professionally. Cricket has even been used recently as a forum for diplomatic relations between India and long-standing rival, Pakistan. The two nations' cricket teams face off annually and such contests are quite impassioned on both sides. Traditional indigenous sports include kabaddi and gilli-danda, which are played in most parts of the country. Indoor and outdoor games like Chess, Snakes and Ladders, Playing cards, Polo, Carrom, Badminton are popular. |  |
| Cuisine | |
| The earliest Indians, the Harappans, probably ate mainly wheat, rice and lentils, and occasionally meats such as pork, lamb, goat and chicken. Some believe that vegetarianism became popular with the arrival of Buddhism and Jainism that emphasised ahimsa (non-violence). The cuisine of Modern India has great variety and each region has its own distinctive flavours. The staple cereals are rice and wheat. North Indian staple meals consist of chapatis or rotis, wheat based and rice as staples, eaten with a wide variety of side dishes like dals, curries, yogurt, chutney and achars. South India staple dishes consist of rice, sambhar, rasam, yoghurt and curries being important side dishes. Another important ingredient in south Indian food is coconut and most popular snacks like idli dosa are also rice-based. Fish is popular in coastal states, especially West Bengal, Orissa and Kerala. Several kind of street foods like Panipuri, Vada pav, Bhelpuri, samosa, vada are popular, though they are known by different names in different regions. Indian Chinese cuisine, an Indianized version of the Chinese cuisine is also popular,especially among youngsters in Mumbai. This cuisine is supposed to have originated from east of India generally and Darjeeling specifically. Tealike other Asian countries, enjoys heavy popularity, while coffee is quite popular in South India. Nimbu pani (lemonade), lassi, and coconut milk are also popular, while India also has many indigenous alcoholic beverages like Fenny and Indian beer. |   |
| Dress | |
The garment most commonly worn by Indian men is the dhoti, a four- to five-yard white cotton cloth wrapped around the waist and tucked between the legs. There are variations in its drape, length, texture, and quality of border adornment. In Bengal one end hangs loose in front, while in Maharashtra both ends are passed between the legs and tucked into the back waistband. The poorer peasant or laborer wears his dhoti very short, and it is made of low quality cloth; that of the well-to-do man hangs in full folds from the waist and is made of fine muslin with a border edged in silver or gold thread. Working-class Muslims and some non-Muslim peasants wear a lungi, a two-yard piece of cloth, frequently checkered, which hangs loose and is wrapped around the waist like a sarong. In the Punjab loose-fitting pajamas called shalwar are worn. If a shirt is worn, it is long and hangs outside the lower garments. In the cities and among the cosmopolitan groups in the towns and rural areas, Western dress is common for men. A three-quarter-length coat called achkan, buttoned all the way up the front and topped with a short, stiff collar, is worn as the official Indian costume on formal occasions. Most Indian women wear the sari, a bordered length of cloth from six to nine yards long, which is draped loosely around the entire body and frequently covers the head as well. Except in lower-class groups, where it may be the sole garment, it is normally worn over a half slip. The sari is wrapped around the waist several times, making pleats in front, and then thrown across the chest and shoulders. Either a full blouse or a short, halterlike garment called a choli is worn on the upper body. The quality of the sari ranges from the drab blue or white of the peasant's workaday sari to the heavy gold brocade or fine gold-threaded silk sari of the rich. A few Indian women, particularly among such highly Westernized communities as the Parsis, Christians, and Anglo-Indians, wear dresses. In Punjab, among other places, women wear the shalwar: free-flowing pants topped by a long shirt, often worn with a scarf draped around the neck. In scattered places in north India a full, flowing skirt is worn. Footwear for both men and women consists usually of sandals, though shoes worn in Western countries are beginning to become more popular for women (heels, wedges, etc.). For men distinctive styles of headdress indicate regional affiliation, religious community, or social class. However, only certain cultures of India, such as the Panjabi or Sikh culture, involve the wearing of turbans. Aside from the many ways of wrapping the turban, special headwear includes the traditional Parsi hat of shiny starched black alpaca in the shape of a rimless bowler; the Muslim hat, preferably of angora wool; and the Gandhi cap, an unadorned visorless cap that originally denoted membership in the Congress party. Women usually wear no headdress other than a shawl or the end of the sari, if even that. |   |
| Courtesies | |
| Greetings |   |
| The Namaste is India's traditional greeting. One presses the palms together (fingers up) below the chin and says Namaste (in the south, Namaskaram). For superiors or to show respect, a slight bow is added. Out of respect for women's privacy, men usually do not shake hands with or touch women in public. However, Indian men will shake hands with Westerners, and educated women may do so as a courtesy. “Hello” and “Hi” are acceptable greetings among equals, but people address superiors with more formal terms such as “Good morning” or its equivalent. It is considered polite to use titles such as Professor, Doctor, Mr., Shri (for men), Shreemati (married women), Kumari (unmarried women), or the suffix -ji with a last name to show respect. Indians usually ask permission before taking leave of others. | |
| Gestures | |
| Excessive hand gestures or verbal articulation is considered impolite. People beckon with the palm turned down; they often point with the chin. It is impolite to sniff or handle flowers displayed at bazaars. Grasping one's own ears expresses repentance or sincerity. One's feet or shoes should not touch another person, and if they do, an immediate apology is necessary. Whistling is very impolite. Women do not wink or whistle; such behavior is considered unladylike. Public displays of affection are inappropriate. Footwear is removed before entering a temple, mosque, or Sikh shrine. When entering a Sikh shrine, all people cover their heads. Women also cover their heads in temples. | |
| Visiting |  |
Visits in the home between friends or family are often unannounced. The need for prior arrangements is increasing in large cities. It is impolite to say “no” to an invitation; if one cannot attend, one more likely says, “I'll try.” Among traditional families, women may not be involved in social functions. At certain gatherings, guests adorned with a garland of flowers remove and carry them as an expression of humility. Guests repay hosts' hospitality by giving gifts, such as flowers, specialty foods (fruits, sweets) from other areas of the country, or something for their children. Most Indians do not wear shoes inside the home. Most guests at least remove shoes before entering the living room. Hosts offer their guests water, tea or coffee, and fruits or sweets. It is polite for a guest initially to refuse these refreshments but eventually to accept them. Visitors often. | |
| Eating | |
| Eating habits vary sharply between traditional and modern settings. Modern (most often urban) families eat together and follow many Western customs. Traditional families may eat their food with the right hand instead of utensils. Also, women may eat after other members of the family and any guests. When people drink from a communal cup, their lips never touch it. A gesture of Namaste can indicate one has had enough to eat. Some Hindus object to having their food handled by members of different castes. |  |
| Popular media | |
| Cinema | |
Bollywood is the informal name given to the popular Mumbai-based film industry in India. Bollywood and the other major cinematic hubs (Bengali, Kannada, Malayalam, Tamil, Telugu) constitute the broader Indian film industry, whose output is considered to be the largest in the world in terms of number of films produced and, possibly, number of tickets sold. Bollywood films are usually musicals, though not in the Western sense of the word. Indian movies have a regualr plot, with songs and daces interspersed to add to the entertainment value of the movie. Few movies are made without at least one song-and-dance number. Indian audiences expect full value for their money; they want songs and dances, love interest, comedy and dare-devil thrills, all mixed up in a three hour long extravaganza with intermission. Such movies are called masala movies, after the Indian spice mixture masala. Like masala, these movies are a mixture of many things. Approximately, 95% of Bollywood movies are this type of movie, because Indians enjoys this type of movie very much. Plots tend to be melodramatic. They frequently employ formulaic ingredients such as star-crossed lovers and angry parents, corrupt politicians, kidnappers, conniving villains, courtesans with hearts of gold, long-lost relatives and siblings separated by fate, dramatic reversals of fortune, and convenient coincidences, and even movies with tri polar changes that can turn a movie and its plot upside down. Bollywood is becoming increasingly popular in other countries including several places in Europe and the U.S. Some Bollywood actors have adapted to more Hollywood-type films in movies like Bend It Like Beckham and Bride and Prejudice. Bollywood's fame is increasing internationally as more and more people across the globe are exposed to its style. Besides the regular masala a film, India has also produced many critically acclaimed cinema-makers like Satyajit Ray, Ritwik Ghatak, Adoor Gopalakrishnan,Ram Gopal Varma, Mani Ratnam, G. Aravindan etc. (See Indian film directors). In fact, with the opening up of the economy in the recent years & consequent exposure to world cinema, audience tastes have been changing. Indian commercial movies have also started following authentic, real world themes with a lower amount of melodrama & some do not even contain songs. In addition, multiplexes have mushroomed in most cities, changing the revenue patterns & allowing film makers greater liberty & scope for executing bold & innovative ideas which would not have been possible even a decade ago. |   |
| Television | |
Indian television started off in 1959 in New Delhi with tests for educational telecasts.[2] Indian small screen programming started off in the early 1980s. At that time there was only one national channel Doordarshan, which was government owned. The Ramayana and Mahabharat were some among the popular television series produced. By the late 1980s more and more people started to own television sets. Though there was a single channel, television programming had reached saturation. Hence the government opened up another channel which had part national programming and part regional. This channel was known as DD 2 later DD Metro. Both channels were broadcasted terrestrially. In 1994, the government liberated its markets, opening them up to cable television. Since then, there has been a spurt in the number of channels available. Today, Indian silver screen is a huge industry by itself, and has thousands of programmes in all the states of India. The small screen has produced numerous celebrities of their own kind some even attaining national fame. TV soaps are extremely popular with housewives as well as working women, and even men of all kinds. Some small time actors have made it big in Bollywood. Indian TV has evolved to be similar to Western TV, including stations such as Cartoon Network, Nikelodeon, and Indian MTV. |  |
| Radio | |
| Radio broadcasting began in India in 1927, with two privately-owned transmitters at Mumbai and Calcutta. These were nationalised in 1930 and operated under the name "Indian Broadcasting Service" until 1936, when it was renamed All India Radio (AIR). Although officially renamed again to Akashwani in 1957, it is still popularly known as All India Radio. All India Radio is a division of Prasar Bharati (Broadcasting Corporation of India), an autonomous corporation of the Ministry of Information and Broadcasting, Government of India. It is the sister service of Prasar Bharati's Doordarshan, the national television broadcaster. |  |
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| Religion and philosophy | |
| Philosophy | |
Indian philosophy throughout the ages has had a tremendous impact on world thought, especially in the east. Various theistic schools of philosophy, such as the many schools of Buddhism and Hinduism, have has huge influences, but also, India produced some of the longest and most influential secular traditions of logic, rationalism, science, mathematics, materialism, atheism, agnosticism, etc, which are often overlooked due to popular conception that India is a 'mystical' country. Many of the complex scientific and mathematical concepts such as the idea of zero, found their way to Europe via Arab intermediaries. The most famous school of Indian atheism, is Carvaka, considered by some to be the oldest materialistic school of thought in the world, composed around the same time as the Hindu Upanishads, as well as the philosophy of Buddhism and Jainism. This period around 600-400 BCE marked a huge leap in both Indian philosophy and world philosophy in general, with contemporary Greek schools emerging simultaneously. Some philosophical concepts from India were introduced to the Greeks, especially during the campaigns of Alexander the Great, and vis a vis, leading some schools of classical Greek philosophy to be almost identical to prior Indian schools. In addition to the unbroken high emphasis placed on philosophy in India, which has existed since ancient times, modern India has produced some of the world's most influential philosophers of modern times, who have written both in their native languages, and often English. During the British occupation of India, various thinkers, both secular and religious, achieved a new level of recognition across the world as both ancient Indian texts, and the work of contemporary Indian philosophers was translated into English, German and other languages. Swami Vivekananda travelled to America and participated in the 1893 World Parliament of Religions, impressing delegates with a groundbreaking speech that for the first time gave access to eastern, Indian, Hindu and dharmic philosophy to western intellectuals. As well as various religious thinkers Mahatma Gandhi, Rabindranath Tagore and other members of the Indian freedom movement, generated political philosophy, and formed the basis of modern Indian democracy, secularism and liberalism. Today, economists such as Amartya Sen, who won Asia's first Nobel Prize in economics, continue to give India a reputation as an important contributor to world thought. |   |
| Religion | |
 India is one of the most religiously diverse nations in the world, with one of the most deeply religious societies and cultures. Religion plays a central and definitive role in the life of the country and most of its people. The religion of more than 80.4% of the people is Hinduism, considered the world's oldest religious and philosophical system. Islam is practiced by around 13.4% of all Indians.[3] Sikhism,Buddhism and Jainism are systems that are strong and influential not only in India but across the world. Christianity, Zoroastrianism, Judaism and the Bahá'í Faith are also influential but their numbers are smaller. Despite the strong role of religion in Indian life, atheism and agnostics are also visible influences, and India is a secular country. |
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